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Triptych 14 Three Subjects in One Blog Post

Three Subjects in One Blog Post

• Consequence and Reward in Games
• Chinese Britannia
• Ignoring History OR Can you function if you try not to offend anyone?

Triptych 13: Three Subjects in One Blog Post

• Games are not inherently nice
• The Supernatural as an explanation of history - Bad Idea
• Heavy dependence of Ancient and Medieval armies on their specific leader

Triptych 12: Three subjects in one blog post

Triptych 12
Three subjects in one blog post

• Yomi vs minimaxing
• Changes in habits from Corona/Covid-19
• Solo and Co-op Games

Proto Atl, the tabletop game market, and my games on Kickstarter

Proto atl -

a relatively new and specialized game convention
(and also about tabletop game publishing in general)

(and also about two Kickstarters for my games)

Reducing chance in games that use single die rolls

My recently-published design Hastings 1066, which well-known game reviewer Marco Arnaudo calls a “lunchtime wargame”, and which I call a successor to old-time microgames, reflects the amount of chance that occurs in a real battle: a lot. As with any historical battle game, simulating the chaos and chances of war is more or less the opposite of what gamers want as they explore generalship.

Brief Notes from the designer of Hastings 1066

Brief Notes from the designer about Hastings 1066

The Battle of Hastings was the culmination of an unusual three-sided competition to be elected Edward the Confessor’s successor as King of England, with no chance of alliances, and each side the enemy of the other two. As is typical of most medieval and ancient conflicts, we have few close-to-contemporary sources, and little solid information. (Some historians like to sound much more certain than the evidence justifies.)

Weather prevented William of Normandy from sailing to England where Harold II was waiting, while Harald Hardrada of Norway was able to land in the north and defeat the local English earls at the Battle of Fulford. Harold of England, more or less in possession of the kingship, marched north and surprised the Norwegians, resulting in a great slaughter (and the death of Hardrada) at great cost to the English. Harold’s force at Hastings may have been smaller than his force at Stamford Bridge.
Meanwhile William had landed. A mystery is why Harold didn’t wait to gather additional forces (having left his archers behind). Instead he rushed down as rapidly as he could to fight William. William wasn’t doing anything, really, for example not attacking the heart of the country (London). Harold could have waited, but he was a brave man and experienced soldier. In the end, it cost him and his brothers their lives.

I actually got the idea to make a small game about the battle when visiting the (supposed) site as a tourist.

Hastings 1066 is the closest thing I know of to the microgames (such as Ogre (1977) and my Dragon Rage (1982)) that were so popular in the earlier years of the hobby. They were the least expensive type of wargame, simple, usually quick to play. Those were board games, but it’s impossible to persuade many people to buy a thin cardboard board and tiny pieces nowadays, so the clear alternative is to use cards.

Cards inherently do not show the maneuver and geospatial relationships that are at the heart of any battle, but I devised a simple method to provide a board equivalent using the cards themselves.
Ancient and medieval battles are inherently poor subjects for games if you stick with the reality, that the commander had little control over what happened once the battle began (still seen in many miniatures rules sets today). The initial version of Hastings reflected this. So to make a better game I ignored some reality, allowing the players to control all the units, making the battle more fluid so that the players had more influence.

Reducing standard deviation in games involving single die rolls

My recently-published design Hastings 1066, which well-known game reviewer Marco Arnaudo calls a “lunchtime wargame”, and which I call a successor to old-time microgames, reflects the amount of chance that occurs in a real battle: a lot. As with any historical battle game, simulating the chaos and chances of war is more or less the opposite of what gamers want as they explore generalship.

Convention Attendance

As I have retired and gotten older, and now moved to Florida which is farther from the major game conventions than my old home, I’ve had to pick and choose which conventions I go to. I stopped going to Origins quite a few years ago because it had diminished, and I’m not convinced yet that it has recovered sufficiently to be worth my time and money. It appears I will not be going to the UK Game Expo again (it is more than 4,200 miles). (Keep in mind, being retired means you have more time than money.) Last year I didn’t go to GenCon because I wanted to avoid the 50th anniversary insanity but mainly because the schedule just didn’t work out.

Hastings 1066: How to make a board game that costs you a lot less (Microgames)

A Board Game that only Uses Cards, OR,
What Matters is Function, not Appearance OR
How to make a board game that costs you a lot less

My game Hastings 1066, about the famous battle where William of Normandy conquered England, is a board game in disguise. It functions as a board game, yet uses cards, with the result that it costs buyers a lot less than if a physical board were included. Yet I’m told by a publisher that wargamers don’t generally care for card games. I think I understand why, but the objections do not apply to Hastings 1066.

Hastings 1066 on Kickstarter

My game "Hastings 1066" launches and defines the "Break the Line" series of simple, 30 minute games. It's on Kickstarter now.

I actually started this game in 2006 and completed it in 2009. Sometimes it takes a long time to get something published.

https://www.kickstarter.com/projects/1456271622/hastings-1066-game

There's a designer's notes video on my YouTube Channel.

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by Dr. Radut